Lesson 1: On Photography

It is time. Time to discuss why we’re all here: photography. But, before we jump into the minutia of it all, let’s take a step back and look at the idea of photography as a whole.

Photography is a unique practice that marries science and technology with art. While the technical aspects of photography are generally easy to master, it is the intricacies of the art form that separate proficient from great. That’s why we’re going to spend the year not only learning technical aspects, but also diving into the creative side of photography.

Sean Makin © 2018. Nikon D610 | 16.0 mm | ƒ/11 | 2s | ISO 100

This isn’t to say not to take pride in hitting those technical goals. The technical side of photography is its groundwork - knowing how to use your camera is the fundamental skill to be able to take your personal vision from the brainstorm stage to an actual image. On that note, knowing your tools is what is going to help you, and those tools include the automatic modes on your camera. We will encourage you to try and use manual settings in the beginning, but this is only as a means to fully understand your camera and how settings affect one another. Once you have an understanding of your settings, you’ll find that automatic modes may be the best solution for your situation.

Chelsea London © 2020. Fujifilm X100F | 13.0 mm | ƒ/4.0 | 1/125s | ISO 320

Then there’s that oft-debated topic of gear. You’ll hear “the best camera you have is the one on you,” and that is absolutely correct. The caveat is that gear is ultimately another tool in your tool box. As you progress in photography, you may find that you’re limited by your gear whether it be button layout, low light performance, et cetera. But, know that you can most often make what you envision with the gear that you have. Before slamming that “add to cart” button, learn your gear inside and out.

Listen to this podcast on Gear Acquisition Syndrome for more on the topic of gear over consumption and how to combat it.

Above all you should remember that photography is fun. It can be relaxing, stimulating, confidence-building, even discouraging. It’s nothing if not dynamic in its nature - and we’re here to have fun with it. As we progress through the course, you may find yourself getting burnt out or overwhelmed. It’s important to be honest with yourself and know when to take a step back or take a break. We’re here regardless, so take those breathers, and come back when you can. Often projects like these can become a stressful experience, so remember that this is ultimately about your own goals and you have to remain aware of your own mental health throughout the class.